Cary Community Choir
55th Performance of

Pepper Choplin, Director
Danielle Assessor, Soprano
Carly Prentis Jones, mezzo soprano
Calvin Lamar Carter, Tenor
Dr. Will Hughes, Bass
Patti Lingafelt, Keyboard
December 7, 2025, 7:30 pm
Westwood Baptist Church
200 Westhigh Street, Cary, NC 27513

Program Order
Opening remarks
Pepper Choplin, Director
Elizabeth Booker, President, Board of Directors
Invocation
Dr. Lawrence Powers, Senior Pastor
Messiah
George Frideric Handel
Overture
Recitative: Comfort ye my people – Tenor
Comfort ye, comfort ye my people, saith your God; speak ye comfortably to Jerusalem, and cry unto her, that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness, Prepare ye the way of the Lord; make straight in the desert a highway for our God.
Air: Every valley shall be exalted – Tenor
Every valley shall be exalted, and every mountain and hill made low, the crooked straight, and the rough places plain.
Chorus: And the glory of the Lord
And the glory of the Lord shall be revealed, and all flesh shall see it together; for the mouth of the Lord hath spoken it.
Recitative: Thus saith the Lord – Bass
Thus saith the Lord of Hosts: Yet once a little while and I will shake the heavens and the earth, the sea and the dry land; and I will shake all nations; and the desire of all nations shall come. The Lord, whom ye seek, shall suddenly come to His temple, even the messenger of the covenant, whom ye delight in; Behold, He shall come, saith the Lord of Hosts.
Air: But who may abide the day of his coming? – Bass
But who may abide the day of His coming? And who shall stand when He appeareth? For He is like a refiner’s fire
Chorus: And He shall purify
And He shall purify the sons of Levi that they may offer unto the Lord an offering in righteousness.
Recitative: Behold! A virgin shall conceive – Alto
Behold! A Virgin shall conceive and bear a Son, and shall call His name Emmanuel, God with us.
Air and Chorus: O thou that tellest good tidings to Zion – Alto/Chorus
O thou that tellest good tidings to Zion, get thee up into the high mountain; O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid; say unto the cities of Judah, Behold your God! Arise, shine, for thy light is come, and the glory of the Lord is risen upon thee.
Recitative: For behold, darkness shall cover the earth – Bass
For, behold, darkness shall cover the earth, and gross darkness the people; but the Lord shall arise upon thee, and His glory shall be seen upon thee, and the Gentiles shall come to thy light, and kings to the brightness of thy rising.
Air: The people that walked in darkness – Bass
The people that walked in darkness have seen a great light; and they that dwell in the land of the shadow of death, upon them hath the light shined.
Chorus: For unto us a child is born
For unto us a Child is born, unto us a Son is given, and the government shall be upon His shoulder; and His name shall be called Wonderful, Counselor, the Mighty God, the Everlasting Father, the Prince of Peace.
Pastoral Symphony (Pifa)
Recitative: There were shepherds abiding in the field – Soprano
There were shepherds abiding in the field, keeping watch over their flocks by night. And lo! The Angel of the Lord came upon them, and the glory of the Lord shone round about them, and they were sore afraid. And the Angel said untothem, Fear not; for behold I bring you good tidings of great joy, which shall be toall people; for unto you is born this day in the City of David, a Savior, which is Christ the Lord. And suddenly there was with the Angel a multitude of the heavenly host, praising God and saying…
Chorus: Glory to God
Glory to God in the highest, and peace on earth, goodwill towards men
Air: Rejoice greatly, O daughter of Zion – Soprano
Rejoice greatly, O daughter of Zion! Shout, O daughter of Jerusalem! Behold, thy King cometh unto thee! He is the righteous Savior, and He shall speak peace unto the heathen.
Recitative: Then shall the eyes of the blind be opened – Alto
Then shall the eyes of the blind be opened, and the ears of the deaf unstopped; then shall the lame man leap as an hart, and the tongue of the dumb shall sing.
Air: He shall feed His flock like a shepherd – Alto/Soprano
He shall feed His flock like a shepherd; and He shall gather the lambs with His arm, and carry them in His bosom, and gently lead those that are with young. Come unto Him, all ye that labor. Come unto Him, that are heavy laden, and He will give you rest. Take His yoke upon you, and learn of Him, for He is meek and lowly of heart, and ye shall find rest unto your souls.
Chorus: His yoke is easy, and His burden is light
Chorus: Hallelujah!
Hallelujah: for the Lord God Omnipotent reigneth. The kingdom of this world has become the kingdom of our Lord and of His Christ; and He shall reign for ever and ever, King of Kings, and Lord of Lords. Hallelujah!
Chorus: Worthy Is the Lamb
Worthy is the Lamb that was slain and hath redeemed us to God by His blood to receive power, and riches, and wisdom, and strength, and honor, and glory, and blessing… Blessing, and honor… glory, and power be unto Him that sitteth upon the throne, and unto the Lamb for ever and ever.
Chorus: Amen
Program Notes
In 1741 Handel’s fortunes were so low that he was considering leaving England. His opera company had collapsed and he had suffered a stroke. Handel accepted the invitation to compose an oratorio, a much more popular style of concert of the time. A text was presented to him by his good friend and patron, Charles Jennens, a wealthy landowner who had helped to finance every one of Handel’s publications since 1725. The text was assembled from the King James Bible and Psalms as printed in the Book of Common Prayer. In a letter to a friend, Charles Jennens wrote that he hoped that Handel will “…lay out his whole genius and skill upon it, that the composition may excel all his former compositions as the subject excels every other subject. The subject is Messiah.”
Read MoreHandel secluded himself on August 22, 1741, and in some three weeks’ time composed the vast majority of the work. He was able to achieve this because of his inspiration about the subject and because he was able to borrow music performed at that time.
For instance, the borrowed music for the joyous chorus For unto us a Child is born was originally profane and perhaps frivolous duet for two sopranos castigating “blind Cupid” and “cruel beauty.”
In its report on a public rehearsal, the Dublin News-Letter described the oratorio, Messiah, as “… far surpassing anything of that Nature which has been performed in this or any other Kingdom.” Seven hundred people attended the premiere on 13 April. So that the largest possible audience could be admitted to the concert, gentlemen were requested to remove their swords, and ladies were asked not to wear hoops in their dresses, a request that we also repeat tonight. The performance earned unanimous praise from the assembled press: “Words are wanting to express the exquisite delight it afforded to the admiring and crowded Audience.” A Dublin clergyman, Rev. Delaney, was so overcome by Susanna Cibber’s rendering of “He was despised” that reportedly he leapt to his feet during the performance and cried: “Woman, for this be all thy sins forgiven thee!” The concert raised enough money to give a sizable donation to each of the selected charities, the Mercer’s Hospital and the Charitable Infirmary, and released 142 prisoners from debtors’ prison. Despite his success in Ireland, Handel was hesitant to take the work to London, in part, because of objections to presenting a sacred work in that most profane of buildings – the theater! True to his expectation, when he did finally introduce Messiah there in 1743, it was not well received. Not until 1750, when Messiah began to be presented in annual performances for a London charity at the local Foundling Hospital did the public truly embrace the work. Between that time and Handel’s death in 1759, Messiah attained the exalted stature it has held to the present day, a musical tradition unparalleled in the English speaking world.
Messiah is without doubt the most popular and the most performed cantata in existence. The musicologist Charles Burney wrote some 40 years after the premier “…this great work has been heard in all parts of the kingdom with increasing reverence and delight. It has fed the hungry, clothed the naked, fostered the orphan and enriched succeeding managers of the oratorios more than any single production in this or any other country.”
Instrumental Ensemble
Harpsichord/Keyboard
Patti Lingafelt
Violin I
Wendy Rawls *
Dana Friedli **
Lyda Cruden
Violin II
Emi Hildebrandt
Lucy Greenleaf
Viola
Lisa Doherty
Trumpets
Christian McIvor
John Manning
*Concertmaster
**Orchestra Contractor
Cello
Eva Roebuck
Bass
Emily Buccola
Oboe
Carrie Shull
Jennifer L. Allen
Bassoon
Rebecca Libera
Timpani
Casey Sagolla-Slamp
About the Artists

Pepper Choplin has served as director of the Cary Community Choir since 2019. He is a full-time composer, conductor and humorist. With a Bachelor of Music degree from the University of North Carolina at Greensboro, he went on to earn a Master of Music degree in composition from Southwestern Baptist Theological Seminary.
His published works includes over 330 anthems for church and school choir plus 24 church cantatas and four books of piano arrangements. Each week, thousands of singers present his music in churches and schools in the United States and around the world. He recently published his first book, A Million Notes, a collection of his best-loved lyrics and the stories behind them.
Pepper has conducted ten New York concerts of his music at Carnegie Hall, Lincoln Center and Julliard with over 250 voices and full orchestra. In Raleigh, he has conducted twelve performances of his cantatas at Meymandi Concert Hall with area church choirs and orchestra. Beyond his choral music, Choplin has produced two humorous CDs and an inspirational solo recording.

Danielle Assessor is a soprano, originally from Upstate New York. She was recently heard as the soprano soloist with the Carolina Ballet in their performances of Carmina Burana. She has also performed this role with the Ithaca Community Chorus and Orchestra in Ithaca, New York. Additionally, she has been a featured soloist in Handel’s Messiah, Faure’s Requiem, Bach’s cantata Herz und Mund und Tat und Leben, Vivaldi’s Gloria, Amy Beach’s Grand Mass in Eb, and Libby Larsen’s Mass of the Earth, as well as in recital in Baltimore, Washington D.C, Boston, and New York. On the operatic stage, favorite roles include Sandrina from Mozart’s La Finta Giardiniera, Pousette in Massenet’s Manon, and Mother in Emily Koh’s new opera, Generations. She holds degrees in voice performance and pedagogy from Ithaca College and the Peabody Institute of Johns Hopkins University. She currently serves as a staff singer at Christ Church on Capital Square in Raleigh, and at Duke Chapel, where she is a soloist and section leader in both the Chapel Choir and Evensong Singers, as well as for the Bach Cantata Series.
In addition to performing, she has taught private voice and piano for the last 15 years. She resides in Wake Forest with her husband and her 3 year old daughter, Isabelle.

Carly Prentis Jones is an accomplished vocalist from Raleigh, North Carolina. Equally at home on the concert stage and in the theatre, she has built a dynamic career spanning opera, musical theatre, and classical performance. A frequent soloist and recitalist throughout the region, Carly has performed with North Carolina Opera and most recently appeared as Lily in Porgy and Bess.
Her favorite stage credits include Camila in In the Heights (North Carolina Theatre), Nettie in Carousel (Theatre Raleigh), Lily in The Secret Garden and Sarah in Ragtime (Justice Theatre Project), and Dorothy in The Wiz (Burning Coal Theatre).
Carly holds a Bachelor of Music in Vocal Performance and a Bachelor of Arts in Arts Administration from Miami University in Oxford, Ohio. Offstage, she is President + CEO of Artspace in downtown Raleigh and enjoys life with her fiancé, Eric, and their blended family of five.

Calvin Lamar Carter is a native of Franklin, Virginia. He earned a Bachelor of Science degree in interdisciplinary Studies with a concentration in Vocal Music Education from Chowan University, accompanied by a Post-Graduate Certification in Church Music and Worship Formation from Campbell University Divinity School. Presently, he serves as a licensed K-12 Vocal/Choral Music educator in the Franklin City Public Schools in Franklin, Virginia.
Since 2009, Calvin has cultivated a successful career as a professional singer, gracing prestigious venues such as Carnegie Hall and Lincoln Center in New York City, the John F. Kennedy Center and The Washington Opera House in Washington, D.C., the Durham Performing Arts Center in Raleigh, North Carolina, and St. Patrick’s Cathedral in Dublin, Ireland. Throughout his performing journey, he has also held numerous music ministry positions across Virginia, North Carolina, and California. He is currently serving as the Director of Music Ministry at Shiloh Baptist Church in Boykins, Virginia.

Will Hughes has sung a variety of operatic roles with companies including The Dallas Opera, The Santa Fe Opera, Des Moines Metro Opera, and Florida Grand Opera.
Very adept on the concert stage, Will’s credits include McCullough’s Holocaust Cantata; Cohen’s Alzheimer’s Stories, Vaughan Williams’ Five Mystical Songs, Hodie, and Fantasia on Christmas Carols; Finzi’s In terra pax; bass solos in Bach’s Magnificat, and Matthäus-Passion; Mendelssohn’s Elijah, Handel’s Messiah, and the requiems of Brahms, Duruflé and Fauré: the latter of which he has sung under the direction of Maestro John Rutter along with the maestro’s original work, Mass of the Children.
Will holds undergraduate and graduate degrees in voice performance and pedagogy from Wheaton College and Westminster Choir College respectively and currently teaches at East Carolina University.

Patti Lingafelt, harpsichordist/keyboardist and organist, received the Bachelor of Music degree from James Madison University in Organ Performance and the Master of Divinity with Church Music degree (organ concentration) from Southeastern Baptist Theological Seminary. She and her husband Steven have lived in Durham since 1982. Mrs. Lingafelt, an ordained Baptist minister, has served several churches in the Triangle area as Minister of Music/Organist, retiring from Trinity United Methodist Church in Durham in February 2021. She has accompanied middle school and high school choruses, as well as numerous soloists and instrumentalists and continues to serve as a freelance accompanist and substitute organist and/or choir director for local churches. This is her tenth appearance as accompanist for the annual Cary Community Choir performance of Messiah. Mrs. Lingafelt is a member of the American Guild of Organists, Durham-Chapel Hill and Central NC Chapters; American Choral Directors Association; and Choristers Guild. The Lingafelts have two grown children
Contributors to Cary Community Choir
We would like to express our deep appreciation to the following businesses, agencies and individuals who have generously given donations in support of tonight’s concert.
Benefactors
Candace Blackley
Elizabeth and Al Booker
George Bridges
Jim and Renée Bridges
Nancy and Jerry Canterbury
Lisa and DeLon Dove
Dorothy Manly and Don Ziff
Town of Cary
Sponsors
John Edwards
Robert and Ann Johnson
Sue McGee-Wind
Kirsten Nielsen
Alison Peacock
Michael and Carol Ridge
Maureen Sanner
In memory of Victoria Slind-Flar
Lan Denise Yu Smith
Tom and Linda Stribling
James and Barbara Wetterau
Dottie Williams
Friends
Reginald Beard
Bertworks 300
Susan Brunssen
Bill and Denise Buckner
John Calhoun
Karen Calhoun
Rena Courtay
Petrekia Huffman
Matthew and Bonnie Claire Kunath
Charles McCullen
Sandra McManus
Marlene Nickell
Jean Olson
Patricia Shackleton and Jan Chopel
Dana Smith
Daniel and Helen Tsui
Joyce Walker
Alice Williams
Acknowledgments
Cary Community Choir is supported in part by grants from the Lazy Daze Arts and Crafts Festival, an annual Cary-based festival supporting local arts and non-profit organizations and activities. Operational and promotional support is also given by the Town of Cary Department of Parks, Recreation and Cultural Resources, William Lewis, Cultural Arts Manager.
Thank you to Dr. Lawrence Powers, Senior Pastor at Westwood Baptist Church for the invitation and support in hosting this concert in their facility.
Following tonight’s presentation, a free-will offering will be taken at the door to help defray the program expenses. Your contribution to the Cary Community Choir is tax deductible and greatly appreciated.
Checks may be made out to Cary Community Choir. You may also contribute online at www.carycommunitychoir.org. Please help to ensure the future of this Cary tradition through your generosity.
Cary Community Choir Board Members 2025
President: Elizabeth Booker
Treasurer: Jim Bridges
Board Members
Alan Booker
Denise Buckner
Christi Cook
Bob Gutjahr
Jim Heddell
Daniel Tsui
Chelsea Wilson
Marketing/Communications: Regina Kaiser
Fundraising: Nancy Canterbury
Webmaster: Alan Booker
The date and location of next year’s 56th performance of Handel’s “Messiah” will be listed on the Cary Community Choir website as soon as those details are confirmed. Find us at
www.carycommunitychoir.org
Cary Community Choir
Soprano
Francesca Balestrieri
Diane Beth
Cyndy Bradford
Rebecca Brigham
Susan Brunssen
Nancy Canterbury
SJ Casar
Caroline Cimorelli
Sage Collier
Beth Donner
Qi Fang
Mary Finch
Kim Fong
Linda Fosdick
Sally G.
Lynn Glasheen
Terri Green
Paula Hansen
Kate Hill
Petie Huffman
Amanda Hunter-Kelly
Cecily Jones
Norma Jones
Song Klapoetke
Julliet Lan
Yuhua Li
Christine Mailliard
Dorothy Manly
Olivia McLawhorn
Sandra McManus
Sue Milligan
Karie Muchane
Carol Neubert
Michelle Piccirillo
Carol Ridge
Yvette Ring
Karmann Riter
Virginia Lane Rose
Lydia Ruhl
Maureen Sanner
Rochelle Sayler
Mary Selke
Patricia Shackleton
Dana Smith
Denise Smith
Anne Marie Talbott
Xiao Wen Turner
Joyce Walker
Paige Walters
Alice Williams
Liz Wilson
Sue McGee Wind
Grace Wolfe
Alto
Adrienne Alden
Susan Birchfield
Candace Blackley
Julia Blackwood
Alita Bluford
Maria Bondavera
Elizabeth Booker
Maureen Bowersox
Renee Bridges
Osa Brown
Denise Buckner
Sue Buning
Roberta Byram
Anne Carnesecchi
Karen Cerefice
Patrice Chapman
Kerry Christian
Dana Coleman
Nannette Collier
Janet Conner
Christi Cook
Jean Costa
Rena Courtay
Katherine Gillespie Currin
Lisa Stirewalt Dove
Elizabeth Dworkin
Sally Edwards
Dianne Eves
Debra Gallo
Jessica Gettings
Michele Grise
Kitty Harvey
Lauren Hill
Meredith Hoffman
Ann Johnson
Amelia Jones
Jenna Jones
Debra Lynn Joseph
Bonnie Kunath
Maria Lai
Suzanne Letchworth
Margot Mahannah
Kate Marreiros
Mary McCulley
Stacey McLeod
Toni Miller
Betsy Musgrave
Annie Ngo
Marlene Nickell
Kirsten Nielsen
Sarah Norris
Jeannie Olson
Joyce Patterson
Alison Peacock
Dawn Perkins
Alix Peters
Diane Post
Ruth Sappie
Beth Sultan
Elaine Talbott
Jean Tedder
Jane Tobia
Helen Tsui
Tori Velasquez
Jade Vogelsong
Christy Walker
Caitlin Waters
Dottie Williams
Chelsea Wilson
Janice Wilson
Tenor
Pam Alachi
Tim Barnard
Reginald Beard
Bryan Fong
Sally Fox
Jim Heida
Dave Heiser
James Housman
Asa Keim
Jim Matzko
Chuck McCullen
Debora Murphy
Kiser Norris
Barry Post
Jaylen Spencer
Kevin Sullivan
Michael Tomasik
Daniel Tsui
James Wetterau
Bass
Rock Angier
Bruce Berry
Jim Bridges
Forrest Burris
Ben Carnesecchi
Zachary Carnesecchi
Carl Daehler
Emyr Edwards
Earl Enzor
Andrew Fagerlund
John Fisler
Roy Gemberling
Kenneth Hartman
Michael Hughes
Gary Hunt
Robert Johnson
Wendell Jones
Larry Kingsley
Ken Knowles
Matt Martin
John Musgrave
Jonas Noel
Warren Powell
Michael Ridge
Tom Stribling
Zach Wilson
Jamie Winspear
Donald Ziff
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